A crowd of nude figures, flying in clouds after Pordenone


A crowd of nude figures, flying in clouds, sweeping towards the lower left, including a female figure in the centre, with a male figure to her left, one arm around her and looking up at her face, after Pordenone. The original drawing was incorrectly attributed to Corregio.  The mezzotint was made by William Baillie in 1777. The image is 17,5 x 21 cm (excluding text) the sheet is 45 x 35 cm. The print is in good condition.

Source: https://www.britishmuseum.org/collection/object/P_1837-0408-528

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Giovanni Antonio de’ Sacchis (1484 – 1539), known as Il Pordenone, was a Venetian painter. Vasari describes his life under the erroneous name of Giovanni Antonio Licinio. Il Pordenone studied in Venice and probably also in Rome around 1515. He was strongly influenced by Raphael and Michelangelo. This can be seen strongly in his works in the churches of Treviso, Cortemaggiore, Piacenza and Terlizzi. He is known as a strong and good beautifier of palaces. Especially in Venice there was a demand for his services. However, most of his Venetian frescoes have not survived. Paintings by his hand can be found in various museums around the world. There are paintings in Vienna, the National Gallery, London, the Brera, Milan and the Philadelphia Museum.

Source: https://nl.wikipedia.org/wiki/Il_Pordenone

William Baillie (1723–1810) often known as “Captain William Baillie” was an Irish printmaker. Baillie was born at Kilbride, County Carlow, on 5 June 1723. He was educated at Dr. Sheridan’s school in Dublin, and at about the age of eighteen his father sent him to London to study law. However he decided to follow the example of a younger brother and join the army. After some opposition from his father, he was allowed to accept of a commission offered to him by Lord Archibald Hamilton, in the 13th Regiment of Foot. He joined the regiment as the senior ensign before the battle of Lafeldt, where he carried the colours. He served with this regiment for many years, and was at the battle of Culloden, and at several engagements in Germany. He then became an officer in the 51st Regiment and was with them as captain of the grenadiers and paymaster at the battle of Minden. He then spent some time in the 17th Light Dragoons before selling his commission. He made his first etchings while still in the army. The earliest dated ones, from 1753, depict soldiers, one a named member of his regiment. He was largely self-taught as an artist, though he had some lessons from his fellow Irishman, Nathaniel Hone. After leaving the army in 1761, Baillie devoted his life to the arts, although from 1773–95 he also held the post of Commissioner of Stamps. He made prints in various styles, first exhibiting his work with the Society of Artists in 1762, but his most notable productions were those in the style of, or directly copied from, the etchings of Rembrandt. To imitate Rembrandt’s effects of chiaoscuro, he used mezzotint, a technique not employed by the Dutch artist. He also obtained the badly worn original plate of Rembrandt’s “Hundred Guilder Print” and reworked it. When a limited number of impressions had been made, the plate was cut into four pieces, and impressions taken from the individual sections.  His main business however was as a picture dealer, acting as agent for the Earl of Bute and Lord Liverpool among others. His works were published in two folio volumes by John Boydell, in 1792,under the title of A Series of 225 Prints and Etchings after Rembrandt, Teniers, G. Dou, Poussin, and others. He died at Paddington, London, on 22 December 1810.

Source: https://en.wikipedia.org/wiki/William_Baillie_(engraver)