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Pietro da Cortona, 1 November 1596 or 1597 – 16 May 1669  was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations. He was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the salone or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. Berrettini was born into a family of artisans and masons, in Cortona, then a town in the Grand Duchy of Tuscany. He trained in painting in Florence under Andrea Commodi, but soon he departed for Rome at around 1612/3, where he joined the studio of Baccio Ciarpi. He was involved in fresco decorations at the Palazzo Mattei in 1622-3 under the direction of Agostino Ciampelli and Cardinal Orsini had commissioned from him an Adoration of the Shepherds (c. 1626) for San Salvatore in Lauro. In Rome, he had encouragement from many prominent patrons. According to Cortona’s biographers his gifted copy of Raphael’s Galatea fresco brought him to the attention of Marcello Sacchetti [sv], papal treasurer during the Barberini papacy. Such contacts helped him gain an early major commission in Rome (1624–1626), a fresco decoration in the church of Santa Bibiana that was being renovated under the direction of Bernini. In 1626, the Sacchetti family engaged Cortona to paint three large canvases of The Sacrifice of Polyxena, The Triumph of Bacchus, and The Rape of the Sabines (the latter, c. 1629), and to paint a series of frescoes in the Villa Sacchetti at Castelfusano, near Ostia, using a team that included the young Andrea Sacchi. In the Sacchetti orbit, he met Pope Urban VIII and Cardinal Francesco Barberini, the papal nephew, and their patronage of Cortona provided him with ample scope to demonstrate his abilities as a painter of frescoes and canvases. Seventeen years before his death, he wrote a treatise on the purpose of art.

Source: https://en.wikipedia.org/wiki/Pietro_da_Cortona

Jean-Baptiste Michel was a French engaver. He was born in 1743 in Paris. And studied under Chenu, already a well-known engraver he moved to London in 1780. During the following years he was commissioned to engrave decorative, religious and historical plates after the designs of such old masters as Leonardo, Carracci, Pietro da Cortona, Maratti, Velazquez and many others. He also engraved many fine plates after contemporary painters such as Benjamin West and Boucher. During the 1790’s Jean Baptiste Michel was regularly commissioned by the John Boydell Shakespeare Gallery, such is the case with this original engraving created for the Shakespeare Gallery entitled, Third Part of King Henry the Sixth. Act 5, Scene 7. King Edward & Queen Elizabeth, with the infant Prince, Clarence, Gloster and Hastings. Jean Baptiste Michel died in London in 1804.